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York To Paris: For extended biography consult Avenal, G. d', Richelieu et la monarchie absolue (2d ed., 4 vols., Paris 1895) ; Barriere, J. F., Memoirs of the Duke de Richelieu (New York to paris 1904) ; Caillet, J., UAdministration en France sous le ministere du cardinal de Richelieu (new^ed., 2 vols., Paris 1863); Fagniez, G., Le pere Joseph et Richelieu (2 vols., Paris 1894) ; Hanoteaux, G., Histoire du cardinal de Richelieu (Paris 1893) ; Lodge, R., Richelieu (London 1896) ; Martineau, A., Le cardinal de Richelieu (Paris 1865) ; Perkins, J. B., Richelieu and the Growth of the French Power (New York to paris 1900); Topin, M. J. F., Louis XII et Richelieu (Paris 1885).At the 1900 Exposition in Paris an entire building was given up to the display of Rodin's works. In addition to his marble and bronze figures were many water-color drawings and etchings. Further illustrating the versatility of his genius are a number of writings on various subjects, of which the most notable is (Les cathedrales de France1 (1914). Consult Marx, (Auguste Rodin, Ceramiste' (Paris 1907) ; Lawton, F., 'Life and Work of Auguste Rodin' (New York to paris 1907) ; Dirks, R., 'Auguste Rodin> (Paris 1913) ; Bulletin, Metropolitan Museum of Art, Supplement (New York to paris, May 1912) ; Harris, F., (Contemporary Portraits' (New York to paris 1915) ; Benedite, L., 'Rodin' (N. Y. 1927).
Brassa'i. The Secret Paris of the 30's. New York to paris: Pantheon Books, 1976. Brassai. Introductory essay by Lawrence Durrell. New York to paris: The Museum of Modern Art, 1968. BiW. |
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